In a dramatic clash of cinematic titans and media giants, Francis Ford Coppola, the esteemed director behind legendary films such as “The Godfather” and “Apocalypse Now,” has launched a legal battle against Variety, seeking a staggering $15 million in damages. The lawsuit, initiated in the Los Angeles Superior Court, accuses the publication of libel, stemming from a controversial article that depicted Coppola in an unfavorable light during the filming of his latest project, “Megalopolis.”
Coppola’s legal argument centers on the article’s reliance on anonymous sources, which he claims were motivated by jealousy and broadcasted “reckless falsehoods” about his professional conduct. The piece in question, published on July 26, included anonymous testimonials and video footage alleging the director’s attempt to kiss young female extras on set, raising concerns over the absence of traditional oversight due to the film being self-funded.
Variety’s story didn’t just go unanswered; it ignited Coppola’s fury. He vehemently denies the accusations, deploring the damage done to his reputation and the integrity of “Megalopolis” – an ambitious sci-fi epic. The director slammed the use of “surreptitious video and unnamed sources” for financial gain, essentially casting Variety’s journalistic practices into the spotlight.
As Coppola prepares for the imminent US release of his 138-minute sci-fi film starring Adam Driver, he’s not only fighting to defend his film but also his personal and professional integrity. Despite providing evidence to counter the allegations and requesting a retraction, Variety stood firm, prompting Coppola to seek vindication through the courts.
Adding a layer of intrigue, one of the extras featured in the contentious videos has publicly defended Coppola, challenging the portrayal of events and highlighting the honor of working with the cinematic icon. This development underscores the complexities surrounding the case and Coppola’s unwavering determination to clear his name.
With this lawsuit, Coppola is not merely contesting a singular article but challenging what he sees as a broader issue of media ethics and accountability, setting the stage for a potentially landmark legal showdown.
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